Live at Hull 1970
Geffen/Universal Music Group 
Fire Note Says: See Me, Feel Me, Touch Me, Release Me
Originally released as part of the Deluxe Edition of Live at Leeds in 2010, The Who-Live at Hull 1970, has finally been given its own standalone release! Recorded the night after Leeds, February 15th 1970, the Hull show stands on its own as a powerful testament to the ferocity of the Who at the absolute peak of their powers. In fact, if Hull had been released instead of Leeds, this would easily be considered one of the finest live albums of its era. However, due to problems with the recordings, this was never going to happen. John Entwhistle’s bass tracks were somehow not recorded on the first six songs of the night. Thankfully due to the fact that the setlist was virtually the same, and the performances were nearly identical, using modern technology, the producer was able to “airlift” in his bass tracks from the night before, and mesh them perfectly with the rest of the tracks. I never would have known this if it wasn’t in the liner notes, it sounds perfect.
I’m not going to dissect the music too much, odds are good if you’ve gotten this far, you know the songs and are familiar with Live at Leeds enough to be curious about this new Live at Hull. Instead, I want to talk about what makes this different and nearly as essential as Leeds, and why you need it. The most startling difference between Hull and Leeds is the drum work of the late great Keith Moon. For me personally, his drumming was always the highlight of Leeds. He is up front and center in the mix once again, almost as the lead instrument. What’s really interesting is that the fills he plays are completely different than they were only the night before. He is all over his kit, and at points you can hear his sticks hitting the mics as he is going ballistic. For me, the differences in Moon’s playing alone make this worth owning. The energy of the crowd is different, they are a bit more low key, and though it doesn’t affect The Who’s playing, it does affect their between song banter. They move from song to song without much dialogue. It’s BAM BAM BAM, hit after hit, whereas on Leeds, Pete Townshend was very talkative with the crowd.
This is a great sounding live album, every bit the equal to Leeds in fidelity, and far superior to the Isle of Wight performance from later in the year in every way imaginable. I can’t recommend this album enough, to both diehard Who fans who are already familiar with this material, and particularly to newcomers, who really have no idea of the transcendent rock experience this set has to offer. Go check this out now!
Key Tracks: “We’re Not Gonna Take It”, “A Quick One While He’s Away” , “Amazing Journey”
Bands With Similar Fire:
Guided By Voices
The Who Webstie
The Who Facebook
Geffen/Universal Music Group
-Reviewed by Kevin Poindexter